[Making a Monster] How Filmmaking Frustrations Yielded Clive Barker’s “Super-Butchers” in HELLRAISER
“What’s in the box?!” As it turns out, there are much worse things to find in there than Gwyneth Paltrow’s...
“She’s actually evil. Not ‘high school’ evil.” We are nearing the end of February here at Nightmare on Film Street,...
Somewhere, in the underlining story of Hellraiser: Judgment, there’s a good idea. In its brisk 81 minutes, which somehow manages to doubly bore with its police procedural knockoff and apparent obsession with Cenobite bureaucracy, there is at least the foundation of something that could have made for a truly compelling...
Damien Leone’s Terrifier 2 hit select theatres this weekend, completely uncut and in full gory glory. Eyeballs are scooped out...
Taking drugs can bring up a wide range of emotions: anxiety, euphoria, numbness, the feeling of immortality or being connected...
We Summon the Darkness has been tempting horror fans with it’s 80s vibe and shroud of mystery since it hit the festival circuit last fall. The latest directorial effort from My Friend Dahmer‘s Marc Meyers, the film boasts a bevy of familiar faces and some truly killer moments. Alongside fan...
Powered by RedCircle DESCRIPTION: Welcome back to Nightmare Alley, the spooky little sidestreet podcast in the Nightmare on Film Street...
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Remember when conspiracy theories used to be fun? Remember when throwing out baseless claims about Bigfoot, UFOs or the fake...
There have been countless imitations of The Blair Witch Project (1999) since its release, but if you think the found footage sub-genre has nothing new to offer, think again. A new indie production, Butterfly Kisses, aims to redefine found footage horror by spinning the concept into an interesting and multi-layered new...
The road to a finished film is paved with the long hours, expertise and dedication of dozens of specialized individuals....
What’s up weirdos? Welcome to Awfully Good, where we celebrate movies that suck! In keeping with April’s Cops ‘n’ Killers...
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Here’s the thing about parasites: when it comes to the movies, they just don’t die. In that sense, you might be hesitant to board Neasa Hardiman’s Sea Fever which premiered at the Toronto International Film Festival Friday, September 6. It curious how the small-scale body horror flick can infect audiences...
